"The rules governing literary art require that the author shall make the reader feel a deep interest in the personages of his tale and in their fate; and that he shall make the reader love the good people in the tale and hate the bad ones."
How do we do that? As authors, we know that scenes are units of conflict lived through by character and reader. Characters must be three dimensional, living, breathing beings. As authors we must know the whole person before we place them into the story. We use experience, observation of others, inspiration and imagination to create them. We have to know what drives them and how they will react to different problems. We set imaginary goals for them. Goals help characters become motivated and moves your story along. Characters face adversity in a scene and in a sequel they decide what to do with it.
At a recent Book Talk I told about a lithograph of a woman tending a spinning frame in a cotton mill which metamorposed into my grandmother. She inspired a beloved continuing character in my Maine shore Chronicles series, created through inspiration and imagination. My readers loved Tante Margaret and urged me to make her a main character with a story of her own.
As authors and readers we know that characters leave lasting impressions. Nora Ephron captures the feeling in her book: I Feel Bad About My Neck:And Other Thouhts About Being A Woman.
“Reading
is one of the main things I do. Reading
is everything. Reading
makes me feel I've accomplished something, learned something, become a better
person. Reading
makes me smarter. Reading
gives me something to talk about later on. Reading is the unbelievably healthy way my
attention deficit disorder medicates itself. Reading is escape, and the opposite of
escape; it's a way to make contact with reality after a day of making things
up, and it's a way of making contact with someone else's imagination after a
day that's all too real. Reading
is grist. Reading
is bliss.”
― Nora Ephron,
― Nora Ephron,
There is something
called the rapture of the deep, and it refers to what happens when a deep-sea
diver spends too much time at the bottom of the ocean and can't tell which way
is up. When he surfaces, he's liable to have a condition called the bends, where
the body can't adapt to the oxygen levels in the atmosphere. All of this
happens to me when I surface from a great book.”
― Nora Ephron, I Feel Bad About My Neck: And Other Thoughts on Being a Woman
― Nora Ephron, I Feel Bad About My Neck: And Other Thoughts on Being a Woman
3 comments:
Hi, Mary,
Creating characters that readers connect with offers the greatest satisfaction. But first comes the connection the author must make with the characters. They must become real to us. We must be able to visualize them, to hear the sound of their voices, to understand how they think and why.
Thanks for sharing your thoughts. You described very well what I meant when I said we must know the "whole person" before we place them in the story.
We are uhe solid first platform for modeling newcomers to achieve there new dreams. The first to train and promote out models at our expense to avoid burden on them. Join the most popular agency if you modelling jobs in Delhi for female freshers, models, students, housewives aiming to start there modeling career. We are top modelling agency in Delhi offering modelling jobs in Delhi for upcoming female freshers or experienced models who want to join lingerie modeling agencies.
modeling agencies in Delhi
modeling agencies
modeling jobs
modeling auditions
model coordinators
modeling jobs in Delhi
Post a Comment