Agent. A five letter word.

I remember growing up and hearing my mom say, "Don't use four letter words" (cursing) because they aren't "nice."

What about five letter words like? AGENT or QUERY
Never having had an agent I can't say if they are naughty or nice, but I would think they are nice to have due to their wide experience with publishing, publishers, promoting, etc. Some are probably better than others, but if you don't have one you must do the job (to some extent) yourselves and keep the 15%, but it may be difficult to ingratiate yourselves into the industry when you don't have the connections. Networking is a huge part of getting published, the agent has those contacts. They are part of the inner circle (hopefully).

The word "Query" above is another "five letter word." Frankly, queries are difficult to write for me and many of my writing compatriots. You have one page to tell either the agent or publisher about you, your story, your credits if you have any, give them a flavor of your writing voice and encourage them to want more of you and your work. Advertisers say "that's easy" just wow them. Okay, but loud music, dancing girls, gooey chocolate, or gimmick's don't really work. Or so I've been told. The words have to do the dancing and whet the appetite.

Telling the agent or publisher you are the next Nora Roberts or your book is the next Fifty Shades of Gray in a query letter, just isn't going to cut it. We may be as good as Nora Roberts, but we aren't Nora - we are who we are and write with our own voice, which may or may not resonate with the masses. Our book may be even better than Fifty Shades of Gray - but will it appeal to audiences all over? Good question. What we do have to do is make the agent or publisher realize our work is good. It's a business letter with heart and imagination.

How do we do that? Answer these questions in your query:

• What is the story about, the theme, or the problem that is addressed? 
• Is there a quirky main character that you can introduce in the query?
• Is your story similar to other very popular stories you can use as a comparison?
• Why are you the best one to write this kind of story, your experience, or education? 
• What have you published before so that you have a following?
• What demographic does your story appeal to? Young Adults? Mystery buffs? Horse lovers?

That's a lot, so keep it short - to the point - punch it! How do you know you've done well with your query? Read it out loud. Critique groups can help you review it. And when you can't imagine your query sounding any better - send it! What have you got to lose? Because you may have written just what that agent has been looking for.

Enjoy the writing journey, my friends. 

Happy St. Patrick's Day!

 

How to cure the rejection blues

Good afternoon! It is my pleasure to blog with such a talented group of authors.
I write historical romances set in fifteenth century England during the so-called “Gypsy honeymoon” period.

My third novel in the Coin Forest series is written, and I’m wading through the third round of full book revisions. Thanks to my beta readers who are looking at the full manuscripts for ways to make it shine even more.

I’m reviving my agency search, referring to my four-inch three-ring binder, bulging with rejections from previous agency searches.

Oh, such bliss.

I tortured myself in 2008 by collecting all the agents to whom I’ve subbed work, and organized them alphabetically. They list agent name, date, which novel, and results. Alas, not one of them says, “offered representation.”

Two pages, single spaced, 12 point Times New Roman. The agent names fill the page, along with the dismal results.

“Great concept, but didn’t like the characters.” “Didn’t connect to voice.” “Didn’t love it.” “Terrific idea, great writing, but I represent someone whose voice is very similar to yours.” “Not right for us.” “Not for me.” “Bursts with creativity and historical detail, but not at this time.”

I will be forever grateful to Five Star Publishing for seeing the spark in my work, for seeing outside the “current hot topics” box and recognizing the worth of my novels.

Still, the general consensus is that to thrive in the current market, an author needs an agent, so I forge ahead, scanning the lines and lines of names.

It's like a badge of sorts, I suppose, to hold up my work over a hundred times, lifting that stone tablet up for consideration -- that takes courage. So why do I feel so tired?

As I studied the page, it occurred to me that I needed an attitude adjustment. These weren’t agents who rejected me. These were agents who, when they read my query or sub, didn’t see enough promise on that day. They exercised their right to be subjective. Maybe their feet hurt, or they were secretly tired of historicals, or didn’t immediately see a best-seller. Whatever the reason, my work didn’t click with them.

The lines of agent names blur on the page, and I see more than just so many lines of Times New Roman. I see steps.

Yes, steps, steps I’m taking toward success. Gotta collect those rejections to take the next step, up, up, climbing until eventually I reach the top.

With thanks to author Carolyn Kaufman, here is a thought-provoking quote:

“To escape criticism, do nothing. Say nothing. Be nothing.”

Take this somewhat dismal quote and flip it, and you will find more courage and determination to realize your dream. The opposite of nothing is something.

"Do something. Say something. Be something.” Is this simple statement the key?

What coping "antibiotic" do you find useful to beat the rejection blues? I welcome your comments!