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Showing posts with label Mystery Writer. Show all posts
Showing posts with label Mystery Writer. Show all posts

Friday, April 27, 2018

Setting Inspires Treachery by Phyllis Gobbell

Phyllis Gobbell’s latest novel, Treachery in Tuscany, is third in the Jordan Mayfair Mystery Series that began with Pursuit in Provence (2015) and continued with Secrets and Shamrocks (2016). She also co-authored two true-crime books based on high-profile murders in Nashville: An Unfinished Canvas with Mike Glasgow (Berkley, 2007) and A Season of Darkness with Doug Jones (Berkley, 2010). She was interviewed on Discovery ID’s “Deadly Sins,” discussing the murder case in An Unfinished Canvas. Her narrative, “Lost Innocence,” was published in the anthology, Masters of True Crime (Prometheus, 2012) and is now available as an audiobook. She has received awards in both fiction and nonfiction, including Tennessee’s Individual Artist Literary Award. An associate professor of English at Nashville State Community College, she teaches writing and literature.
(Phyllis and I have the same publication date, May 2, 2018 for our new novels with publisher Encircle who chose to invite writers from former mystery publisher Five Star/Cengage to submit.)



Treachery in Tuscany

“There are plot twists and intrigue, family secrets and rivalries, a debonair lover, a delicious locale and all the usual accouterments of the satisfying travel cozy, but Phyllis Gobbell gives the proceedings her own particular spin.” ―Kate Falvey. Editor in Chief, 2 Bridges Review
 
Setting Inspires: Treachery in Tuscany

Some writers enjoy research. Some say they like it so much, they could stay in the research mode and never get to actually writing their book. That’s not me, not if you’re talking about tucking yourself away in a library for long periods of time or traveling the Internet highway. But we all know research is essential. Not only do readers expect accuracy, but they want to experience the world the writer has created. I have found that having the authentic experience myself is the most effective way I can provide the sensory images, the atmosphere, the color, the texture, and the depth that transports the reader emotionally into the setting--the little world--of my mystery.
True, setting alone cannot carry a mystery. Mystery has its own needs. But when I made the decision to set my mysteries in places like Provence (Pursuit in Provence) and Ireland (Secrets and Shamrocks), I knew I’d be a fool not to make the most of these exotic locations. Some call my Jordan Mayfair Mystery Series travel cozies, and they are. I usually refer to my books as traditional mysteries. As I grew up reading Agatha Christie, I loved losing myself in the small English village. Setting as character, setting that informs plot--that’s what I try to do.
In one of the first blogs I wrote about Pursuit in Provence, I said that I didn’t choose Provence; Provence chose me. I could have said the same about Secrets in Shamrocks. I had been to Provence twice when I wrote the first book in the series, and I had spent time teaching in Ireland when I wrote the second. It was logical to write about places I had experienced.
With Treachery in Tuscany, it was different. I decided that I wanted Tuscany to be the setting for my third book, and I made travel plans. My friend Cheri was up for the adventure. My writer-friend, Alana, has a historical mystery set in Florence, and she advised me to stay in a convent. What great advice that was! I kept a journal, of course, and recorded notes about the nuns, the staff, the guests, and the structure itself--yes, because my protagonist, Jordan Mayfair, is an architect. She would have to use her architectural skills, and the 15th century convent, with its elaborate mazes, provided a wonderful challenge. I sat in the piazzas and watched the street life around me. I kept notes of what I ordered, what everything cost, where the Hop-on-hop-off bus took us. We were shocked by the motorbikes that zipped by us, traveling at a dangerous speed, and I knew I would use that in my book. I paid close attention to how the Italians spoke English, their particular syntax, the nuances. We took a day trip to a vineyard in Tuscany--more grist for the mill. Our cooking class at the villa would find its way into the book, and not just to tell readers how to make ravioli from scratch. We took a train trip to Orvieto and stayed in a hotel on the piazza. How lucky we were that a huge festival was taking place. I did fall back on the Internet to come up with an authentic festival in Florence when the time came to write, but you can imagine that I put all of my photos of the Orvieto festival to good use.

I came home not knowing what the story would be for my third book in the series, but I had done plenty of research--the kind of research that suits me. I unpacked, watered my plants, and just let my thoughts swirl. I went through my journal and my photographs and remembered how everything felt. Eventually, the story began to take shape . . . a death in the convent . . . suicide, the authorities say . . . but amateur sleuth Jordan Mayfair will not let it go.

In many the mysteries I read, it’s clear the writer is inspired by setting, as I am. What are some of your favorite settings in mysteries?





Friday, November 13, 2015

Five Tips for a Successful Library Event

Mystery author Catherine Dilts is our guest blogger today. To Catherine, rock shops are like geodes – both contain amazing treasures hidden inside their plain-as-dirt exteriors. Publishers Weekly calls her novel Stone Cold Dead: A Rock Shop Mystery, an “enjoyable debut,” and that “readers will look forward to seeing more of this endearing and strong protagonist.” Catherine works as an environmental tech, and plays at heirloom vegetable gardening, camping, and fishing. Her short fiction is published in Alfred Hitchcock Mystery Magazine. Visit her at www.catherinedilts.com and on Goodreads.



                                                      
                                                    Five Tips for a Successful Library Event

                                                                     By Catherine Dilts


I grew up in a family of intense library users. My siblings competed to discover the most delightful next book by browsing the shelves. As an adult, I still use my local library. One of my “made it” moments, when I felt I was an honest-to-goodness author, was seeing my book on a library shelf.

Naturally, I was thrilled to be invited to participate in a library author event. I’m still a relative newbie. I only have three events under my belt, with a fourth coming November 14. Still, I have accumulated five tips for authors to enjoy a successful library event.

1)      Use a wheeled cart. College students use them for textbooks, grannies for groceries. I dug one out of our garage. There was plenty of room to strap down a box of books, my promo materials, purse, sweater, and snack. No multiple trips to the parking lot. No sore arms and back. This low technology tool is a lifesaver.

2)      Do your homework. What type of event are you attending? Will you be speaking, or sitting at a table waiting for readers to pass by? May you set up a poster or decorate a table? Are you the focus of attention, or will dozens of authors share the spotlight? Every event I attend, someone has a clever table covering or eye-catching display. I’ll be ready next time! Read the emails and instructions for your event. Be prepared.

3)      Sales. Will you be allowed to sell your books? Who will handle sales – the library, a bookseller, or you? Do you need to bring books for consignment? How many books should you bring?
a.       Quantity. I suggest bringing plenty of books, but leave the majority in your vehicle. Oh happy day if you need to run to your vehicle for more. My experience, as a new author in small town libraries, is that a dozen books is optimistic. I hope your experience is wildly different!
b.      Transactions. If sales are your responsibility, be aware that few people write checks or carry cash. I intend to look into the Square, a device to charge credit and debit cards using your smart phone or tablet.

4)      Network.
a.       Talk to librarians and volunteers. Let them know you appreciate being invited to participate in their event. Verify that the library carries your book.
b.      Talk to the patrons. For some, this might be their first experience speaking with a real live author. If they are hesitant to purchase your book, encourage them to check it out from the library.
c.       Talk to other authors. You might pick up helpful promotional ideas, learn about another library event, or make a new friend.

5)      Be realistic.
a.       About sales. You are in a library, where patrons are accustomed to reading for free. You may not sell a lot of books, but you might gain fans.
b.      About attendance. Library events, I am told, typically do not generate crowds. The ones I have participated in have been well attended. I think the difference is in how well the event is promoted. You can help. Invite friends and family. Use social media to get the word out. Give your co-workers fliers. Libraries are more open to future events when attendance justifies their expense and use of resources.

I have participated in two meet and greet events with dozens of authors. Another event was a mini-writers conference. The next event on my calendar is a three author workshop. Every venue and every event is different. Participation in some is by invitation only. Others seek applications from authors. Each exposes me to potential new fans, but perhaps more importantly, they offer me a chance to give back to libraries and librarians.


Now that I’ve made the case for library events, how do you get in on one?
1)      Check your local library’s website, call, or talk to someone in person. Depending on the size of the library, they may have a staff member dedicated to special events. At the very least, there will be a staff member in charge of the event.
2)      Talk to other writers. Writing groups often have Yahoo loops where people share information about events. That’s how I learned about the first library event I participated in.

Have you attended a library author event? Participated in one? Are you a librarian who has hosted an event? I would love to hear your experiences and suggestions.