Writer Resources

By B.D. Tharp

There is no shortage of information these days. The problem is finding it and trusting that it is accurate. Over the past few years I’ve put together quite a collection of links to web sites, writer organizations, magazines, and resources that have been valuable to me on my writing journey.

Let me first say, there is no better resource to the writer than the company of other writers. Only a writer understands the struggle and joy that is involved in the craft. Our friends and family may sympathize with our disappointments or help us celebrate our triumphs, but they don’t know what it takes for us to get there and to keep going.

There are local and regional writing organizations that will help improve writing skills, and bring you great friends. In the heartland I’ve been a member of three great groups: KWA (Kansas Writers Association, http://www.kwawriters.com/ ), KAC (Kansas Authors Club, http://skyways.lib.ks.us/orgs/kac/ ) and OWFI (Oklahoma Writer Federation Inc., http://www.owfi.org/ ). We also have active Romance, Children’s, and Mystery Writers groups locally as well. I was a member of IWWG (International Women Writers Guild, http://www.iwwg.com/ ) and NAWW (National Assoc. of Women Writers, http://www.naww.org/ ) for several years. All of these organizations have workshops, web sites with valuable information, and links to other writing resources.

I’ve also subscribed to several good publications and highly recommend The Writer (www.writermag.com ), Writers Digest (www.writersdigest.com/ ), and Poets & Writers (http://www.pw.org/ ). Periodically I pick up a Writers Journal, too. These publications provide timely articles on the craft, reviews with new and established authors, information about contests, conferences, publishing, editors and agents. I generally alternate one or two subscriptions each year, so I don’t spend all my spare time reading instead of writing.

If you are searching for markets, agents, and publishers I suggest you check out Writers Market (http://writersmarket.com). The web version is kept more up to date, but the print version has great articles and interviews. For the past year I’ve subscribed to Publishers Marketplace (http://www.publishersmarketplace.com/), which has timely information about the publishing industry, new deals (book, foreign rights, film), and job listings.

A good way to investigate writer conferences all over the globe is Shaw Guides (http://www.shawguides.com/ ). My first experience using this tool was a writer’s retreat in New Mexico given by Emily Hanlon (an author and teacher), which set my course as a writer.

Universities and writer organizations in your region no doubt sponsor some great workshops. I’ve attended several in my area that were sponsored by Newman University and Wichita State University, as well as OWFI and KWA. Check out events in your area, save your pennies, and go to at least one per year. I’m told that agents, editors, and publishers find most of their new authors at writer conferences these days, so invest in your future. It’s certainly a good way to network with others in the industry.

A writers group is a great place to share ideas, critique, celebrate, and console. If there isn’t a local group that works for you, find like-minded writers who share your love for the craft or a specific genre and start your own. You will see improvements in your writing as well as the added social benefit. Writing may be a solitary endeavor, but we need “input” to stimulate our creativity. Some of my best ideas have developed from an overheard conversation in a restaurant, a brainstorming session, a photograph, and free writing exercises. You just never know where the muse will strike.

Some of the books that have guided me on my writing path include: Bird by Bird (Anne Lamott), The Right to Write (Julia Cameron), Marry Your Muse (Jan Phillips), On Writing (Stephen King), The Art of Fiction Writing (Emily Hanlon), Writing Down the Bones (Natalie Goldberg), On Becoming a Novelist (John Gardner), The Writer’s Book of Hope (Ralph Keyes), and The Artists Way (Julia Cameron). There are many more good books out there, but these were among my favorites, and have left a lasting impression.

I used to hear “write what you know” a lot when I first started out. Frankly, I don’t know everything, so I believe you need to write what you feel and find out about those things you don’t know. An insatiable curiosity provides good fodder to the writer, but I truly subscribe to this notion - “When your heart speaks, take good notes” (Susan Borkin).

Much good luck to you all on your writing journey I hope these resources will help you along, and don’t forget to enjoy the ride.

Summer Reading Suggestions

Summer Reading

by Jacqueline Seewald

I had every intention of writing something useful and educational this month. Then I opened several of my magazines (yes, we actually do still subscribe to print publications at our house!) and low and behold there were all these wonderful articles on the best books for summer reading. With people going on vacation, sitting at beaches, pools and on cruise ships, many individuals actually enjoy relaxing with a good book.

TIME MAGAZINE did a wonderful job with this in their July 11th issue. The magazine provided an ultimate summer reading list of 48 books. Most of the suggestions come from famous people. They also include staff picks. But what about those of us who are published by small independents? Are our books forever to be ignored by the reading public?

I would like to mention my own recently published novel THE TRUTH SLEUTH.
I hope that you will decide to request the novel at your local library for your summer reading.

The third romantic mystery novel in the Kim Reynolds series continues the heroine’s experiences as a reluctant psychic detective. Kim is a librarian and a teacher who seems to stumble across dead people. Her romantic life is as complicated as her work.

Here’s an excerpt from the very beginning of the novel:

Prologue

They watched Jimmy Sanduski ride to victory at the NHRA SuperNationals, racing a Harley-Davidson V-Rod. He roared through the field, setting the top speed for the event, and the crowd went wild. Sanduski, new kid on the block, had not been expected to win.
Kim Reynolds didn’t find the sport particularly fascinating, but she’d gone along with Bert St. Croix and April Nevins, just to see what it was like. She enjoyed the company of both women, and, as they were now into motorcycles, Kim thought she might give it a try. April had generously loaned Kim her bike, riding to the raceway park on the back of Bert’s large Harley.
But what had started out as a pleasant afternoon began shifting to something quite different. Kim was developing an uncomfortable feeling of wrongness; a kind of prickling sensation slithered down her spine. She recognized the feeling for what it was but shook her head, trying to dispel the spasm of dread that suddenly gripped her. God, not this again! Would she ever be free of it?
Then Kim gasped, seized by a stab of pain. In her mind, she heard a silent scream, an astonished cry for help. She felt another’s panic and terror. She began to shiver and tremble.
“What’s the matter?” Bert asked, her dark brows rising then knitting together in concern.
“Someone’s been hurt.” Those were the only words she managed to choke out.
“Who? Where?” April asked, glancing around in confusion.
“Maybe we better have a look,” Bert said. Her height of six feet gave her an advantage over both Kim, who was five foot six inches, and April, who was barely five foot two inches tall.
The crowd was starting to thin out, many bikers revving up their engines in anticipation of leaving now that today’s entertainment was over. Kim led, Bert and April following behind her. Although she was not really certain where she was going, Kim plowed blindly through the garbage-strewn grounds. And then she saw him: a very young man sitting in an aluminum beach chair, head slumped forward as if he were in a deep sleep.
“He’s dead,” Kim heard herself say with certainty. Her voice sounded hollow, expressionless and faraway, as if it belonged to someone else.
“Oh, God, are you sure?” April asked, tossing her gold-tinted curls as if to deny Kim’s statement. “Kim’s got this gift of knowing stuff like that,” Bert said.
More like a curse, in Kim’s opinion.
Bert knelt down, at first not touching the body. “I don’t think he’s breathing.” Bert’s voice had taken on a note of professional authority. She looked and sounded like the seasoned policewoman she was. Bert felt for a pulse, then shook her head. “Don’t touch anything. I’m calling this in.” There was a grim expression on Bert’s café au lait features. She pulled a small cell phone out from the pocket of her black leather jacket.
Before Bert could make the call, Kim turned and faced her.
“There’s something I think you should know.”
“I’m listening.” Bert stood very still like a figure in a portrait.
Kim let out a ragged breath. “I think that boy was murdered.”

Here are a few reviews of the novel:

“The talented Seewald puts her heroine through the wringer with a romantic dilemma, a job she doesn’t like, two mysterious teen murders, deadly school politics, and financial hardships. Readers will enjoy the continuing adventures of Seewald’s conflicted psychic.”

—Shelley Mosley, Booklist

“The Truth Sleuth packs a double whammy. Not only is the solution to the murder unexpected, but the sleuth's personal life is just as surprisingly complex. Add in a colorful school setting and a protagonist with special gifts, and you get a winner.”

Toni L.P. Kelner, New York Times Bestselling author
***

“Who better than a psychic reference librarian to untangle a complicated romance and decipher a mysterious death? Jacqueline Seewald has written one for the books!”

Molly MacRae, award-winning author of Wilder Rumors and Lawn Order
***
“An attractive but demanding administrator, troubled students, along with her lover’s angry ex, complicate Kim Reynolds’ life. Author Jacqueline Seewald understands the ins and outs of high school politics and routines.” Susan Froetschel, author of Royal Escape
***

“This is an engaging paranormal amateur sleuth with one romance going on hiatus and another beginning while Kim changes jobs. More a character study than a mystery …readers will enjoy the Truth Seeker as Kim is forced to find herself with new employment and new relationships.”

Harriet Klausner

What books would you suggest for summer reading? What books do you look forward to reading this summer?

19th Century Travel

In doing research for my latest novel, I came upon a helpful resource, a book on the subject of Florence Nightingale’s travels through Europe. Because my book is set in the same time period, Nightingale’s letters and journals, documenting her travels, were priceless.

Among other modes of travel, which included ships and omnibuses, she frequently traveled in a diligence, the popular name for a French stagecoach. A diligence was drawn by either four or six horses, and had a place in front like a small porch, on which one could stand or sit. Diligences were used mainly between towns or rail stations, and competed with canal boats, until rail travel in Europe became more widespread in the last half of the 19th century.

Joyce Elson Moore

http://www.joycemoorebooks.com/

Please welcome Mary Schoenecker

Could you tell us about PROMISE KEEPER, the characters and the plot line?

PROMISE KEEPER is the third book in my contemporary Maine Shore Chronicles series. A vibrant sense of place continues as the setting of mill towns and seaside villages of coastal Maine. Steeped in tradition and filled with ethnic characters, the series are suspenseful tales which straddle the genres of cozy mystery and sweet romance. At the beginning of Promise Keeper the theft of a valuable painting leaves Art Gallery Director, Paul Fontaine a gunshot victim, forcing him to recuperate at his father’s seaside home. Paul’s father, Jacques Fontaine faces serious health problems and family friend, Tantè Margaret comes to keep house for father and son while Jacques’s new wife is away. Add to the scene Paul’s torment over a relationship with Suzanne, the art collector who loaned the missing painting to the gallery and mystery mixes with romance. The characters drawn from two families, the Chamberlains and Fontaines, carry through each installment of the series mixing mysticism and faith with surprising results in each book. In Book One, Finding Fiona a time travel element gives a turn of the century twist, for Paul’s sister, Maddy Fontaine adding a history-mystery mix to that plot. Book Two, Moonglade continues where Finding Fiona left off, adding murder and mayhem to romance for Tante Margaret’s adopted daughter, Claire Chamberlain.

What inspired the novel? What was the seed for the story?

To tell you what inspired Promise Keeper and the first books in the series I must go back to the beginning of a search for my grandmother’s roots which took me from the Gaspè Peninsula in Canada to Biddeford Maine. My grandmother came to that mill town with her family in 1880. The seed for a story came from a mural on a Chamber of Commerce wall in Biddeford depicting a nineteenth century woman tending a spinning frame in the local cotton mill. When I finally found the actual lithograph of the original drawing, circa 1845, and received permission to use it in a book, two years of research and writing had taken place.

How did you write it? Over a long period, or did you have the story in mind?

The writing of all three books took close to five years. I planned a trilogy that would have the same characters and setting, but would introduce new people and places in each book. My French Canadian family background certainly influenced the character traits and dialog unique to an area of Maine which has a large French Canadian population. Adding a setting of Florida’s West Coast to Promise Keeper was definitely a personal choice that began at the start of the novel in 2009.

Tell us about your writing background. How did you start writing novels? What was your journey to publication?

Getting published is one part luck, one part talent and one part persistence. You have to have all three and I certainly had the last one. I had a strong work ethic and even though I had taken early retirement from a teaching profession, I was convinced you should never put a date on your dreams. My writing fiction began with a middle grade novel, The Red Cockade. It won prizes and was chosen by a small publisher as the history component of an NEH grant proposal, but the grant was not received. Another publisher kept the manuscript for over a year; their editor encouraging me, but ultimately that editor moved to a different firm and then came my first rejection. I put the book on a shelf but I didn’t lose hope. I switched gears to writing adult fiction. I got much needed help from writer’s organizations, critique partners, workshops and conferences. Four Summers Waiting was my first successful historical novel. One of my sons had completed a genealogical search for his ancestors which provided inspiration for me to write a story fictionalizing the lives of those ancestors. A treasure trove of luck was finding authentic family letters and diaries which provided a cultural framework for my novel. Several letters and diary excerpts were used in the story line. It took five years of research and writing before I received a contract from Five Star/Gale publishing in 2005. That contract came just shy of my 75^th birthday. The first edition of Four Summers Waiting published in 2006 was followed by a Large Print edition in 2007.

What are you working on now?

My readers have often suggested that a constant character in my series, Tantè Margaret, deserves a story of her own. Tantè is an important secondary character in each book of the series, but she finally will be the protagonist in an untitled book I have just begun.

Where can readers find your books?

My books are found in Libraries throughout the nation; something I’m very proud of because from the beginning I have acknowledged libraries and librarians for their tremendous help and support of my writing endeavors. Both books, Finding Fiona and Moonglade of the Maine Shore Chronicles series were given second editions in Large Print by Thorndike Press in 2008 and 2010. They are available on Amazon.com and Barnes & Noble com. and can be ordered by any Book Store. Four Summers Waiting rights reverted to me and now is available as an ebook on Kindle. The third book in the contemporary series, PROMISE KEEPER will be released in October of 2011. Its beautiful cover can be seen on my website and I look forward to receiving an Advanced Reading Copy before June.

Interview with Author/Editor Denise Dietz/Mary Ellen Dennis

Interview with Author/Editor Denise Dietz/Mary Ellen Dennis
By Jacqueline Seewald


DeniseDietz is a much published author who also happens to be the acquisitions editor for Tekno Books, the book packager for Five Star/Gale. Denise recently had a new historical romance come out from Five Star/Gale entitled HEAVEN’S THUNDER: A COLORADO SAGA. You can check it out at http://www.maryellendennis.com/

You can also find ordering information on Amazon as well as Barnes and Noble online and Borders.

Hi, Denise, thanks so much for joining us today at the Author Expressions blog. First, let me congratulate you on the excellent review HEAVEN’S THUNDER received from PUBLISHERS WEEKLY.

Question: Could you tell us a little about the main characters in your new novel and also about the plot line?

I think the best way to describe Heaven’s Thunder is to quote some of the cover copy:

Mary Ellen Dennis’s spellbinding new saga encompasses the Cripple Creek Gold Rush, the union rebellions of Mother Jones, and the birth of silent movies.

Fools Gold Smith, born in the “cribs” of a mining town, raised in an elite parlor house, idolized as silent-film heroine “Flower Smith,” is the central figure in this precisely detailed chronicle. Equally memorable is John “Cat” McDonald, an outlaw’s offspring, a rodeo star, and silent-film hero “John Chinook.” Then there is Kate Lytton, wealthy, pampered granddaughter of a Denver entrepreneur, who becomes embroiled in the 1913 Ludlow coal strike. Their interwoven stories make for a compelling novel, rich with a vibrant sense of time and place.

From life on cattle ranches to the drawing rooms of the wealthy, from the bedrooms of bawdy houses to the wooden platforms of the Ludlow Tent Colony, the author paints not only rooms but intimate portraits of the husbands, wives, sons and daughters who walked their space. From parlor girl, pauper and prospector, to patriarch, plutocrat and profligate, the characters are very much alive. Filled with the essences of its setting, blending love, hate, passion, greed, self-sacrifice, human frailty and strength, Heaven’s Thunder is an authentic tapestry of its time.

Question: Do you envision this novel as a stand alone or part of a romantic series?

For now, it’s a stand alone. It took me 10 years to write my saga and 12 years to market it. The Big Pub House editors said they loved the evocative writing but, “Nobody likes sagas.” When I mentioned Lonesome Dove, The Thorn Birds, John Jakes’ North and South (Heaven’s Thunder has been compared to all three), Barbara Bradford and Anya Seton (plus a dozen other bestselling generational saga authors), NY said, “Those are the exceptions.” I said, “Why can’t I be an exception?” and was told, “Because nobody likes sagas.”

Question: What inspired this novel? How did it come about?

Widowed at age 35, I moved to Colorado Springs. I chose Colorado because of Ayn Rand’s Atlas Shrugged, even though I don’t agree with her “philosophy” and didn’t know anyone who lived in Colorado. I then began researching my adopted state and learned that two actors had drowned in the Colorado River while filming a silent movie.

Wow, I thought, wouldn’t that make a good book?

My second thought: Of course, I won’t kill off my hero and heroine.

My third thought: Silent films were shot in Colorado???

I gave my characters a backstory, starting with their parents and their births. I do that for all my books, before I start writing them, but Fools Gold Smith and Cat McDonald really tugged at my heartstrings, and I knew I had to tell their stories from the very beginning—before they began their careers as silent film stars “Flower Smith” and “John Chinook.”

The “very beginning” was the 1893 Cripple Creek gold rush.

Question: Can you tell us about some of your other published novels?

My most popular mystery series stars diet guru Ellie Bernstein (in the first book, diet club members are getting killed off at goal weight), but I’ve always wanted to write romances. I started with a paranormal time-travel, HALLIE’S COMET, published by Five Star in 2004 (it’s now up at Kindle). In 2007 I reinvented myself as historical romance author Mary Ellen Dennis, whereupon Five Star published THE LANDLORD’S BLACK-EYED DAUGHTER, inspired by Alfred Noyes’ The Highwayman. “Landlord” received starred reviews and was chosen as one of Booklist’s Top 10 Romances of the year. I sold the paperback rights to Sourcebooks and the novel will be reissued this August, along with an 1875 circus historical: THE GREATEST LOVE ON EARTH.

Question: What made you start writing?

In the third grade I wrote a story called “The Pencil Who Grew Up To Be a Stub.” We were supposed to write a one-page story with an ink pen. I wrote a 5-page, first-person story with a pencil (my protagonist) and received a failing grade. In high school I wrote and illustrated a children’s book, HERBERT THE GIANT, about a giant who lived in a town of nearsighted people. No one knew he was a giant until a peddler who sold glasses came to town. Publishers told me they liked the concept but “the words were too big.”

Undeterred, I wrote short fiction and penned my first [adult] book when I was a lecturer for Weight Watchers. As people were weighing in, I thought: Wouldn’t it be funny if there was some maniac running around murdering skinny people? With that thought, THROW DARTS A CHEESECAKE, the first in my 4-book “diet club” mystery series was born. I don’t always write in my head, but I once overheard someone say that Miss America had to be very intelligent (as well as beautiful). After a silent snort/chortle, I began writing a story—in my head—called THE LAST GREAT AMERICAN BEAUTY PAGEANT about a male beauty contest (with a twist). This was 15 years before the first TV reality show. The horror/suspense story is now at Kindle for 99-cents.

Question: As acquiring editor for Tekno Books, what advice would you offer to those newbies who have novels they would like to submit for consideration?

It sounds like a cliché, but telling rather than showing will land you in the rejection pile fairly quickly. If a writer tells me about a character, I feel no emotional connection. Another no-no: Please don’t make your heroine TSTL (Too Stupid To Live) by having her check out a noise in a dark basement without, at the very least, a rottweiler by her side. Be careful about overusing a word. Check your manuscripts for “just” and “well” and “that.” Tied with overuse of a word would be dialogue tags like “You’re so funny,” he laughed. You can’t laugh and talk at the same time. Try it. Nor can you talk while you are grinning or (my favorite) exploding: “I swear I didn’t do it!” she exploded. I get an image of Wile Coyote landing at the bottom of a steep cliff. Speaking of animals, I don’t like animal tags: growled, brayed, chirped, crowed, etc, and be careful of eyes. I like them to stay on one’s face, not drop to the ground (where they could get stepped on) or sweep the room. And if your character tosses her head, make sure somebody is there to catch it.
I like to give new writers the best piece of advice I’ve ever received. I wrote a scene set in an opulent NYC apartment for my women’s fiction novel, Soap Bubbles (published by Five Star Expressions, now at Kindle). I described the living room in detail, including the eclectic collection of paintings on the wall. It was written from the POV of my soap opera star protagonist. An author I admired read the chapter and complimented me on my narrative; said she felt like she was there. Then she said, “But how does Delly FEEL when she looks at the room?” I rewrote the scene, keeping all my details. Except, when Delly looks at the wall she wishes she could step into a painting. Here’s the rewrite:
"Delly stepped into an enormous living room and blinked at the brightness. The walls and ceilings were pure yellow, the floor a highly-glossed parquet. An eclectic mixture of paintings crowded the walls. Delly recognized Andy Warhol, Peter Max and Renoir. Her gaze lingered on the Renoir, and she wished she could step into the painting. In a Renoir there were no cameras panning for a close-up, no directors screaming for another take, no rejection. Renoir’s flowers have no smell, but they don’t die. Renoir’s people have no smell, but they live forever. Once she had believed that actors lived forever."
Note that I managed to get some of her backstory into one paragraph. This is also an example of what I was talking about before: showing vs. telling. I could have said: “Andy Warhol’s Marilyn Monroe print reminded her of her last acting role,” and that wouldn’t be wrong. But it doesn’t really tell you how Delly FEELS. Can you see the difference?

Denise, thanks so much for being our guest today. You’re a fine writer and editor and we’re honored.

Those of you who have comments and/or questions, please know that they are welcome. So feel free to join the conversation!

History of Pocket Watches

Pocket watches were manufactured as early as the sixteenth century. They were first worn around the neck, and were quite large, because of the size of the spring-driven mechanism, which required a cylindrical case.


By the 19th century, watches became smaller, and were commonly carried in the pocket, by both men and women. Because they were considered luxury items, only ladies and gentlemen of means could afford them, but toward the latter half of the century, with the advent of railroads, personal timepieces became more common, and grew to be an indispensable item for railroad engineers.

The first time that men wore wrist watches was about the time of WW I, when field officers wore them as a matter of convenience. Before that, wrist watches were considered a feminine item, even though women wore pocket watches around their necks just as men did, before the advent of wrist watches.

I have a ladies' watch, an heirloom from a 19th century relative. It resembles a man's pocket watch, with a gold chain for wearing around the neck. The design on the cover is feminine, but I'm guessing, from what little I learned about the wearer, that she never thought of the watch as anything other than what it was, a practical item to tell her when to take the roast from the oven.

Setting as Inspiration

Focusing on the setting of a book can add layers of depth. Sometimes, it's as if the setting is another character. You don't have to live there, but visiting is definitely a help. So is having someone who does live there who can answer questions, from what trees line the streets to what color the deputy sheriff's uniforms are.

It's important to be accurate with your setting. I lived in Florida for over 3 decades, in Miami and in Orlando. They're both Florida, but each has its own flavor. However, sometimes, I think authors simply want a place to plunk their characters, and they might do some rudimentary research. Google Maps can get you down to street level. You can research sunrise and sunset times, and what constellations will be visible in the night sky on any given day. But what any reference source can't give you is what it feels like to be there.

I've read numerous books set in Florida that totally ignored the climate. Trust me, the Florida climate is NOT to be ignored. For at least nine months of the year, simply walking from your front door to the street is enough to film your body in sweat. Then, there are the 3 PM thunderstorms for at least half the year. Leaving things like this out of a book will misplace the trust of reader familiar with the area. If they can't trust you to get the setting right, how much else will they not be willing to accept.

When I moved to Colorado a year ago, the change from central Florida was monumental. And, being new, I had a heightened sensitivity to the nuances of the terrain and climate. There's the altitude. Cooking pasta or boiling an egg is a totally new experience. Living in the mountains means your vehicle is covered with red dust—or mud if it's rained.

It was only logical to incorporate what I was learning about my new home into a new book by making the heroine a transplant as well. Because she's sensitive to the different environment, it's logical for her to share this information with the readers, so they can pick up on the flavor of the setting.

DANGER IN DEER RIDGE is set in a fictional town that just happens to be very much like where I'm living, but I definitely didn't want to set it specifically in my town. It's much easier to manipulate things you need to include in scenes if you're not locked into well-known landmarks. For example, if my characters go into a local restaurant and I need something on the menu that the "real" restaurant doesn't have, I can add it to my "similar" restaurant's menu. If I need a few more shops, I can create them. And I don't worry about getting the streets right.

Not to say that setting books in real places doesn't have its own advantages. Michael Connelly and Robert Crais write about Los Angeles, and I enjoy trips down memory lane when I read them.

Just remember, setting should go beyond landscapes, shops, streets and temperatures. It includes the types of people your characters will run into. How they dress, how they talk. The local population here bears little, if any, resemblance to that of central Florida. And even though these characters might only populate the background of a book, they're going to add to that sense of place.

Terry Odell writes romantic suspense. Her latest series, featuring the covert ops team of Blackthorne, Inc., includes When Danger Calls, Where Danger Hides, and Danger in Deer Ridge. Visit her website, her blog, or follow her on Facebook or Twitter.