Two years ago I posted a blog entitled Flower Sparks Hope. There was a picture of an orchid which had bloomed repeatedly for the several years I cared for it. This year that same orchid is blooming from more than one branch and it has many more blooms than ever before, so I borrow from an old cliche, "Hope Springs Eternal" and so does my orchid.
Someone who viewed it said the way the branches developed makes it look very artistic and I agree, but I can't take credit for that. I am happy just to look at it.
Two years ago, I was hoping that a book I had just finished would be snapped up by the publisher of my four previous books in print, but that didn't happen. The publisher went to publishing only one genre, mystery, and my romantic suspense novel didn't work for them. I was very disappointed to say the least, but I wasn't about to give up. It sat for a while before I attempted to submit it elsewhere. I won't name the publisher, but the next one sat on it for six months before telling me the line I designated was not right for it , but I could try another of their imprints. No thankyou, I said, and submitted it to a different publisher right away. You know the game, wait and see, but I made a decision that if it was rejected I would epub it myself. I am now trying to convince myself to go ahead with that plan.
I dug in my heels, edited and polished and knew that my book was the best it could be. In fact the publisher who rejected it said "this doesn't work for us, but you are a fine writer and I invite you to submit to us again." It gave me hope once more.
I quote Barbara Tuchman, pulitzer prize winning author of The Guns of August : "Books are carriers of a civilization. They are companions, teachers, magical bankers of the treasures of the mind. Books are humanity in print." considering that magnanimous quote also gives hope, so perhaps you will see SAFE HARBOR in some form soon.
Friday, February 27, 2015
Friday, February 20, 2015
Scientist Jen J. Danna Authors New Forensic Mystery
Jen J. Danna
is our guest blogger. As a scientist specializing in infectious diseases, Jen
works as part of a dynamic research group at a cutting-edge Canadian
university. Her true passion, however, is indulging her love of the mysterious
through her writing. Together with her partner Ann Vanderlaan, she crafts
suspenseful crime fiction with a realistic scientific edge for Five
Star/Cengage. Jen lives near Toronto , Ontario with her
husband and two daughters, and is a member of the Crime Writers of Canada.
The Killer Days of Prohibition
My writing partner Ann and I love to find
an interesting theme around which to base each of our Abbott and Lowell
Forensic Mysteries. Be it fire, witchcraft or photography, we use the theme as
an overarching concept in our storytelling. From our point of view, it makes
writing the novel more interesting. But, clearly, readers enjoy it also since
that is one of the most noted aspects of our writing in reviews. In TWO PARTS
BLOODY MURDER, the overarching theme is the history of Prohibition that backs
the entire case that Matt, Leigh and the team are investigating.
Prohibition was an interesting time in
American history, and to this day the Eighteenth Amendment remains the only amendment
to the Constitution of the United States to be repealed.
Amendment XVIII, ratified in January 1920, was an attempt to shape social
change: because alcohol was seen as the ‘devil’s brew’ and people were
considered too weak to escape its clutches, temperance was federally
legislated. An interesting aspect of that legislation was that it was only
illegal to produce, transport, store, or sell alcohol. Once in a person’s
possession, it was completely legal for individuals to possess and drink it. Amendment
XXI repealed Amendment XVIII more than a decade later.
Prohibition was doomed from the start for
several reasons. First and foremost, it proved to be impossible to enforce. Not
only were the country’s legislators and enforcers—politicians and law
enforcement at multiple levels—breaking the law themselves by continuing to
imbibe, but the overwhelming majority of people themselves were unhappy with
the law, and went to extreme lengths to circumvent it, sometimes at risk to
their own lives.
But one of the biggest reasons
Prohibition failed was the rise of both the Mob and the black market to fill
the hole left by the removal of legal alcohol sales. When demand for the
product went underground, so did the supply. Alcohol was brought by boat into
ports like Boston and New York , or was carried
overland from border countries Canada and Mexico . Speakeasies—illegal
establishments for the express purpose of selling alcohol—flourished, most run
by the Mob. Some speakeasies were world-class entertainments in major cities
like New York or Chicago , boasting
expensive drinks and elaborate floor shows. Jazz was the music of the day and
many musicians got their start playing in speakeasies. But behind the glitz and
glamour, a war waged between rival mobs and between those same mobs and law
enforcement. Violence skyrocketed as individual mobs fought to corner local markets,
often at the expense of mob and civilian bystanders; gang shootings in the
streets and massacres were not uncommon during the time. Mob bosses rose to
superstardom when they used their amassed riches to open soup kitchens for the
poor during the Depression, further complicating law enforcement’s attempts to
shut them down because they were so well loved by the common man.
This is the fascinating backdrop of TWO
PARTS BLOODY MURDER—the world of clandestine speakeasies, the mob and dirty
politicians:
Prohibition
was a time of clandestine excess—short skirts, drinking, dancing . . . and
death. But a murder committed so many years ago still has the power to
reverberate decades later with deadly consequences.
It’s a
double surprise for Trooper Leigh Abbott as she investigates a cold case and
discovers two murder victims in a historic nineteenth-century building.
Together with forensic anthropologist Matt Lowell and medical examiner Dr.
Edward Rowe, she uncovers the secrets of a long-forgotten, Prohibition-era
speakeasy in the same building. But when the two victims are discovered to be
relatives—their deaths separated by over eighty years—the case deepens, and
suddenly the speakeasy is revealed as ground zero for a cascade of crimes
through the decades. When a murder committed nearly forty years ago comes under
fresh scrutiny, the team realizes that an innocent man was wrongly imprisoned
and the real murderer is still at large. Now they must solve three murders spanning
over eighty years if they hope to set a wronged man free.
TWO PARTS BLOODY MURDER is out this week
and can be found at your favorite booksellers: Amazon.com,
Amazon.ca,
Amazon.co.uk,
and Barnes
and Noble.
Note: Your thoughts
and comments are most welcome here.
Friday, February 13, 2015
Great Love Stories
I mentioned Monday on my
personal blog that my older son and his wife were married on Valentine’s
Day. It was a joyful wedding, loving and romantic. No big fancy affair, just
the bride and groom, my husband and myself, the bride’s best friend, and a
judge happy to officiate, followed by a wedding breakfast at a local hotel.
Afterwards the bride and groom had to take a long drive so that my son could
represent in court a couple accused of white collar crime. This love story is
one of many worldwide.
Love stories have always
been an important part of history and literature. Cleopatra and Mark Anthony.
Cleopatra and Julius Caesar (Cleopatra did get around). As Shakespeare said,
“she was a woman of infinite variety.” Then there is the story of Napoleon and
Josephine, another passionate love affair. In the Bible, we also find some of
the world’s greatest and unforgettable love stories. What can be more romantic
than the story of Ruth or Solomon and the Queen of Sheba? And there is the
story of Esther which is celebrated on Purim.
A
lot of the world’s most famous, classical love stories, of course, did not end
happily: Shakespeare’s Romeo and Juliet, Helen of Troy and Paris, Lancelot,
Arthur and Guinevere (a triangle). These are tragedies.
Some of the literary
characters I consider unforgettable are those of the Bronte sisters:
Healthcliff and Catherine, the tormented lovers in Emily’s Wuthering Heights , Jane Eyre and Mr. Rochester of Charlotte ’s
famous novel. Both romances are in the gothic tradition.
Thomas Hardy wrote a number of tragic love
stories as well. For
something lighter, I prefer Jane Austen’s Pride and Prejudice. Elizabeth
and Darcy are memorable. I’ve read and reread that novel numerous times. My own
romances have happy endings as well since I prefer them.
Love quite literally makes the world go
round. My favorite Valentine’s Day gift
would be a new romance novel. Candy makes me fat. Flowers wilt and die
too soon. But a great romance can be read and reread and enjoyed.
If
you’re of a mind to read some sensual historical fiction, I suggest a look at
my contest-winning Georgian romance THE CHEVALIER, set in the Scottish
Highlands and available in all e-book formats.
Then there’s TEA LEAVES AND
TAROT CARDS, a Regency romance recommended by Jayne Ann Krentz/Amanda Quick,
also now published in all e-book formats: http://www.amazon.com/dp/B00JFHMXWW
If you enjoy romantic short
stories, consider my collection BEYOND THE BO TREE, a book that combines
romance, mystery, fantasy and the paranormal:
For teenage girls and their
mothers to share, THE DEVIL AND DANNA WEBSTER is a clean read romance also available
in all e-book formats.
Kobo
store.kobobooks.com/en-US/ebook/the-devil-and-danna-webster
and
itunes
If you’re a fan of romantic
suspense, take a look at DEATH LEGACY available in all e-book formats. To read
a free partial of that novel, go to:
Can you think of any romances
you would recommend to readers? What sort of romance fiction do you
particularly enjoy reading?
Friday, February 6, 2015
What I'm learning from Harper Lee
In the last few days I have read more than a dozen stories
on the stunning news that Harper Lee at age 88 is about to publish her second
book, which is in fact the first one she wrote. According to news reports the
story in Go Set a Watchman covers the
life of Scout as a young woman and relates the events in To Kill a Mockingbird in flashbacks. The setting is the 1930s and
1960s, during the Civil Rights Movement. Readers are eager to see what kind of
person Scout grew up to be, and how contemporary life looked to Harper Lee. But
there's a downside to this.
The flip side to the story is the history of the manuscript,
which supposedly disappeared for fifty years. Lee set aside one novel and wrote
another, her only book. Lee's sister managed her affairs until her recent
death, and neither woman seemed interested in publishing Lee's first mss during
all those years. But now something has changed. Lee's sister is dead and Lee is
living in an assisted living center, after a stroke, and it's an open question
of whether or not she understands what is happening.
While half the people I know are itching to get their
fingers on the new book, I and other writers I know are wondering what this
means for Harper Lee and her desire to determine her own literary reputation.
If she wanted the book published, would she have done so earlier? Did she
destroy all but one copy, a copy left with an editor and forgotten?
The question, put simply, is this: What do you do with your
old, unsold mss when you realize someone else may one day take control of them?
Every writer has a number of mss stacked in a drawer or
sitting in a box on a closet shelf. We may now have additional copies on disks,
floating in a Cloud somewhere, or stored in a bank safe-deposit box. We may
have tried to sell a particular mss and failed, or perhaps we decided we didn't
like the story in the first place, or we knew it just wasn't good enough to go
out into the world. Do we really want to see these mss published after we're
gone? Or do we want to see them in print even while we're still around, only to
see them land on a reviewer's desk with a thud?
Sometimes I start a story and find that it just doesn't go
anywhere. I close out the file and turn to something else. Or I finish the story,
fail to sell it, and forget about it until months, even years later, when I
take another look. That's when I think, "Yes, it's a bad story and I'm
glad no one bought it. I'm a better writer now." But I don't delete it
from my computer.
This was the case with the first Anita Ray mystery, Under the Eye of Kali. I made several
false starts in an effort to define the character and nature of the story. I
rejected those stories, but I didn't delete them from my computer. I
cannibalized another unfinished story for the second Anita Ray mystery, The Wrath of Shiva, but I didn't delete
it from my computer.
Right now I'm working on an Anita Ray mystery novel whose
title I stole from an earlier story. I'm not taking anything else from it for
this novel, and I don't even want to reread the earlier work, just in case
there's something there I can use. But I don't delete it from my computer.
I want to read the new Harper Lee novel, and I want to love,
to admire it as much as Mockingbird.
But I also don't want to be disappointed, or to think that someone has taken
advantage of a declining writer and published something she felt didn't deserve
the attention.
As writers we have a right to control our own reputations
and output, to choose what we publish and ask others to read. Watching the
story of Harper Lee's second novel, which was really her first, has convinced
me that as difficult as it is, I'm going to delete old mss that I don't think
are good enough to publish, or as good as what I'm writing now. Writers often
hear the advice, Kill your darlings. The reference is usually to passages we
are especially fond of. But I think now is the time to kill those other
darlings, the old mss cluttering up our computers or gathering dust in the
closet.
Subscribe to:
Posts (Atom)